This paper provides a contrastive analysis of verbal actional characteristics in Russian and Italian, with major regard to predications that are hybrid in their actionality. The notion of actional hybridism is examined within the Compositional Approach to Aspect and Actionality. The main characteristics of actionally hybrid predicates is defined as the manifestation of their compatibility with a range of aspectual grams, typical of more than one actional class (e.g., states, activities and accomplishments). The next step is a brief outline of an actional classification of Russian verbal lexicon based on grouping (clustering) morphologically related verbs around actionally hybrid pivot-verbs. The clustering principle takes into account both morphological criteria, and the actional characteristics of the verbs (telicity, durativity, stativity, multiplicity, etc.). We organize cluster members around 6 pivot verbs, illustrating the inner structure of the action, described by members of each specific verbal cluster. Testing the correlation of cluster members with aspectual grams, we analyze their compatibility with grams describing structural stages of the action (ingressive, delimitative, completive, etc.). The use of such a classification principle suggests the next level of abstraction if compared to the binary organization in aspectual pairs, but still does not overcome the former.

The article examines the Italian commedia dell’arte as one of the components of the cultural heritage of Italy and the theater festival “International Day of Com- media dell’arte” as an information channel for promoting the cultural and historical national heritage of Italy to two addressees - the national and world communities. The article provides a brief description of the theatrical performances of the 2019 festival; it analyzes as well the thematic, dramatic, regional and linguistic specifics of the comedies selected for the event, identifies the main objectives of the festival on the national and international stage. In terms of intercultural communication, the author analyzes the difference in the presentation of the Italian commedia dell’arte in Italy and in foreign countries, respectively, reveals different approaches to positioning cultural and historical heritage depending on the addressee. The article identifies three general tendencies in the positioning of the commedia dell’arte: outside Italy, the classical staging of the commedia dell’arte prevails in order to familiarize foreign audiences with the tradition of the theater of masks; on the territory of Italy on stage they prefer to experiment with traditional scenes from the commedia dell’arte in order to update the historical message of comedy in today’s social realities, as well as to maximally involve young Italians, future carriers of national cultural memory, in the actualization of the historical tradition; workshops for modeling comedy masks should preserve the traditional theatrical tradition, which is on the way of “extinction”, and also serve as an incentive for modern Italians to tactilely experience the comedy del arte as something tangible, material, belonging to them.

The article is devoted to the study of the reaction of the ethnic community of Friuli, a territorial-linguistic minority of the Friuli region, which is part of the multiethnic region of Friuli-Venezia Giulia in northeastern Italy, in response to the legislative measures of the Italian Republic in the field of regulation of minority languages in the period 1970–2020, time of awareness of the Friulians of their cultural, historical and territorial authenticity. A brief overview of the legislative measures of the Italian Republic in the field of linguistic regulation of minority languages is given, which can be characterized both as supportive and restrictive at the same time. Among the main areas of support for the Friulian language on the part of local authorities and the ethnic community, the following are highlighted as priorities: the creation of television and radio broadcasting in Friulian, as well as the introduction of the practice of clerical work in the Friulian language in local authorities. The studied material allows us to assert that it is the media in modern society that retain the leading role in the construction of social-spatial “imaginary communities”, incl. and local ethnic communities. The practice of document circulation in the language of the national minority in the authorities is a guarantee that this language is as close as possible to the state language in functions, therefore, the status of the official language is confirmed, and not the dialect, the scope of which is the sphere of everyday communication. The national state (the Italian Republic) has the intention to keep under its control the volume and nature of social functions that the minority language performs and only forcibly lets the minority language into the sphere of functioning of the state language – media communication channels and official office work.

The article discusses the importance of the written fixation of the language of the Friulian ethnic minority, officially recognized by the Italian Republic as one of the twelve minority languages of the state. In the light of the policy of state language regulation, the authorities of the Friuli region (the northeastern region of Friuli-Venezia Giulia) have taken a number of measures to enhance the prestige of the Friulian language: these are television and radio broadcasting in Friuli, the introduction of native language lessons in primary and secondary schools, and the popularization of Friulian language in the region. However, most of the measures focused on fixing the language in graphic symbols: the creation of explanatory and bilingual dictionaries and a spelling corrector, the translation of precedent texts, the translation of toponyms and road signs from Italian into Friulian, the introduction of offi ce work in local authorities in Friulian. Accordingly, this article is devoted to the identification of these channels of written fixation, as well as the analysis of the linguo-pragmatic effectiveness of the measures taken. The study reveals that the introduction of office work in the Friulian language in local governments seems to be ineffective in the fi eld of language practice, but is justified from a cultural, historical, political and ideological point of view because it confirms the prestigious status of the official language. An unexpectedly strong vector for the actualization of linguistic identity was the introduction of written fixation of the Friulian language in the form of translation of sacred texts, toponyms, signs, commemorative inscriptions into the Friulian language, as well as the creation and publication of a huge number of bilingual dictionaries. This trend is already determined from the point of view of ethnolinguistic intention: it is necessary to remove the minority (Friulian) language from the traditional sphere of functioning of Italian dialects — oral speech

The article discusses the principles of nomination in the field of Italian wine production for the period 2018–2022, the identification of an onomastic shift relative to the traditional principles of naming classic vintage wines in Italy in the 19th-20th centuries. Using the method of continuous sampling from the websites of wine producers and the blog of wine marketers, the units of the study were analyzed in terms of linguistic-cognitive criteria that guided wine producers when choosing non-traditional and innovative names for wines and champagnes. The article also reveals word-formation models of pragmatonyms in the wine-making sphere and a hierarchy of communicative functions. Particular attention is paid to the actualization of the associative-connotative series when forming the names of wines.

The object of this article is mythonyms that move into another class of proper names — pragmatonyms or verbal trademarks. The subject of the article was chosen mythonyms from the ancient Greek poem “The Odyssey” by Homer, which are widely used in modern advertising and commercial practice in Italy to name various products: furniture, interior items, clothing, jewelry, food, technical and medical equipment. The purpose of the article is to refute the generally accepted idea that the meaning of an onym (in our case, a mythonym) is impoverished during transonymization into a verbal trademark. The article identified mythonyms from the Odyssey that most often become pragmatonyms — Odysseus, Penelope, Polyphemus. As a result of their analysis, it was demonstrated that peripheral semes of meaning that are not relevant in the mythonym are actualized in the Italian advertising discourse of 2000-2021. Thus, the semantic field of the mythonym, functioning as a trade name, expands and enriches, and not vice versa. The article highlighted the following updated components of meaning: Odysseus — masculinity and freedom, Penelope — thriftiness and beauty, Polyphemus — creative force in the service of man. In the last mythonym, the core meaning of “the destructive power of the savage” completely changed the meaning to “civilizational power of creation”, and the vector of assessment changed. In this case, advertising discourse reflects the linguistic and cultural tendency that exists in Southern Italy to master and appropriate the symbolic space of Mediterranean culture not so much through the figure of Odysseus, but through the Sicilian Polyphemus. The study used a two-stage corpus analysis method: a continuous sample of product names to identify mythonyms from the Odyssey (68 product names) and a representative sample of products with the names Odysseus, Penelope, Polyphemus.

The article studies ethno-specific characteristics of Italian cultural landscapes nominated for the UNESCO World Heritage List as representatives of national cultural identity and as symbols of the proxemic communicative code in international cultural diplomacy. The author examines the evolution of the concept of “cultural landscape” in scientific discourse and UNESCO documents, as well as the classifications of cultural landscapes developed by Russian scientists F.N. Milkov, Y.A. Vedenin, and V.N. Kalutskov. Based on the ethnological-geographical approach, the author hypothesizes that the cultural landscapes nominated by Italy can serve as symbolic topoi of national culture, transmitting concepts of national identity through the proxemic communicative code. The article contributes to the study of the role of cultural landscapes in the formation and representation of national identity. The author analyzes landscape descriptions, classifies them according to N.F. Milkov’s typology, and identifies two main topoi of national culture: mountain-sea and mountain landscapes. The study shows that the transformative method of interaction with nature is leading for the Italian national community, while associativity and the presence of signssymbols of the national cultural code determine the significance of landscapes in the global cultural context. The article contributes to the understanding of the role of cultural landscapes in the formation and transmission of national identity.