Authors

The subject of this study was the axiological aspects of the content of Russian classical literature, manifested in the genre and stylistic specificity of artistic works, the purpose of which is to reveal the peculiarities of the content of N.V. Gogol ‘s poem “Dead Souls”, to study the ideological and moral representations of the writer and the ways of their implementation in the text. The work uses relatively historical, system-typological, historical-functional methods, which allow us to consider a complex literary phenomenon in an integrated manner. The results of the work show that the poetry of “Dead Souls” is formed on the basis of the religious world view of the writer, the novelty of the work is that for the first time the topic of mercy is considered as key in the realization of the author ‘s plan in order to show the spiritual values of the Russian people. The results of the study can be used in lectures on Russian classical literature in higher and secondary schools, at seminars and practical classes, the work is of interest to all those interested in the problems of Russian spirituality.

The subject of this research is that part of the creative heritage of A.N. Muravyov that has not previously been the subject of study in cultural and philological works, namely, samples of diplomatic materials (letters, official analytical and historical notes). This work is considered in the article as one of the directions of Russian romanticism, in the study of which Russian science has accumulated a lot of experience. The problem of realization of creative potential of the artist in the samples of business writing has not been considered by scholars before, the innovative approach to the problem as presented in the article consists in tracing, for the first time in history, the formation of the stylistic features of official correspondence of Muravyev, revealing the peculiar genre of the nature of these samples of business writing in his work. The novelty of the work lies in the fact that for the first time genre and stylistic creative components are considered as the main ones in the implementation of the author’s idea in order to show the spiritual values of the Russian people, to protect the Orthodox presence in the East. The work uses comparative-historical, system-typological, historical-functional methods that allow us to comprehensively consider a complex historical, cultural and literary phenomenon. The results of the work show that in the selected works for analysis (“A note on the salvation of ancient Chersonis”, correspondence with count M.V. Vorontsov-Dashkov from 1847, “Answer to Mr. E. Bore on the question of Holy places”), Muravyov remains within the Orthodox philosophical and religious worldview and romantic aesthetics of the 1820s and 1830s. The relevance of studying the artist’s holistic worldview has increased immeasurably in recent decades, so the results of the research can be used in courses of lectures on cultural studies, Russian classical literature in higher and secondary schools, seminars and practical classes. Russian literature is of interest to all those who are interested in the problems of Russian spirituality, cultural and civilizational features of the Russian world, diplomatic written culture and fiction.

The language of naive painting, like verbal, is a universal communicative system, which gives reason to use a diachronic approach to explore its content arising from the depths of human nature. Being a combination of historical experience and psychological energy, the archetype becomes a symbolic unit of the analysis of naive paintings. The universality of the archetype is manifested in its ability to be realized in different time contexts, which makes it a very attractive subject of research in the works of naive artists of the second half of the XX century. Repeated reference to the archetype of the “ideal city” accelerates its adaptation to new cultural realities, becoming a method of interaction of a self-taught artist with the world. The relevance of the research is related to the interest in the implementation of the utopian project of the city within the framework of modern art space. The scientific novelty lies in the fact that for the first time the archetype of the ideal city will be considered in the works of naive painting by artists V.E. Sakiyan and Yu.D. Deev. The research is aimed at studying the diachronic aspect of the creative interpretation of the «ideal city» archetype in the images of Russian artistic culture.