Authors

The article is devoted to the study of the creative principles of the Russian opera director Boris Alexandrovich Pokrovsky, which he developed in the Chamber Musical Theater. The main content of the article is an analysis of the directorial concept of B.A. Pokrovsky. This issue has not been thoroughly investigated and requires further research. The relevance of the article is due to the processes occurring in the modern musical theater as a cultural phenomenon and is related to the functioning, social representation, stylistic and dramatic features of the genre. The fundamental changes taking place in the methodology of the stage interpretation of the classical and modern opera composition are a reflection of the powerful transformations of the value foundations of culture. In this regard, the scientific study of the unique creative method of Boris Pokrovsky as a cultural phenomenon can serve as a basis for identifying specific mechanisms for translating axiological characteristics of culture into artistic principles and synthesizing traditional and innovative interpretations of the director. Boris Pokrovsky was an outstanding stage director. He is best known as the stage director of the Bolshoi Theatre between 1943 and 1982 and as the founder of the Chamber Music Theater in Moscow. He put on stage many rare and even unknown operas. The phenomenon of the theatre is still a mystery to the theatre critics and art historians, whereas the methods of the director lend themselves to analysis and are disclosed in the article.