eLIBRARY ID: 8377
ISSN: 2074-1588
Recieved: 03/18/2024
Accepted: 06/28/2024
Published: 11/25/2024
Keywords: historiography; study; portrait; copy; engraving; painting; interpretation; Mikhail Lomonosov; Fedott Shubin
DOI Number: 10.55959/MSU-2074-1588-19-27-4-13
Available online: 25.11.2024
Rutsinskaya I.I. Early portraits of Mikhail Lomonosov in Russian historiography of the XX– XXI centuries: problems of interpretation. // Moscow University Bulletin. Series 19. Linguistics and Intercultural Communication 2024. Vol. 27. Issue 4. 172-182 https://doi.org/10.55959/MSU-2074-1588-19-27-4-13.

Pictorial and graphic portraits of Mikhail Lomonosov created in the 18th century, during the life of the scientist and for several decades after his death, formed and consolidated his recognizable visual image. It is only natural that these portraits have piqued the interest of Russian scholars. Within a relatively short time of research in the field a long way was covered from a complete absence of any information about the portraits to constructing an impressive knowledge system and an accumulation of scientific interpretations. A domain of investigative issues has been established; a range of questions were asked. Almost every scientist who has addressed this topic tried to find the answers. However, no historiographical analysis of the identified issues has been carried out yet. Neither has the birth of theoretical concepts or the authors’ interpretations been outlined, nor how they changed over time, or how they were often radically revised.
This article presents the first systematized historiographical material, and for the first time highlights the main areas of research issues that were relevant for Russian scientists throughout the 20th–21st centuries. It considers not only the history of existence of the most important theoretical concepts, but the history of individual works, aspects of their interpretation, the existing sociocultural context.
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